08 Jun Through a Photographer’s Eye: Tony Gardiner

Source: Fujifilm X Blog

Welcome to the Second Series of Through a Photographer’s Eye. In this series, we continue to learn about Australian photographers and how they use X Series Cameras to photograph their world around them. Our third interview in Series Two is with Sydney based photographer, Tony Gardiner.

Tony, cinematography has been a big part of your life and runs in your family, can you tell us why you decided to use the Fujifilm X-Pro2 to capture on set still images and how did your relationship with Fujifilm originally start?

 

I have been very fortunate to grow up around image-makers. Cinematography is the family business! My father and grandfather ran a film lab in Sydney Australia. Because of my long association with image making, I have always been familiar with Fujifilm & Fujinon products and have always held the lenses especially in high regard.

 

I was looking for a lightweight easy to use mirrorless camera to capture both on set stills and for my art projects because I have always liked the look of Fujifilm products.

 

 

Did you face any challenges while using the X-Pro2, XF50-140mmF2.8 or XF35mmF1.4? Can you tell us how you overcame them?

 

There were no significant challenges that would be specific to the X Series. I enjoyed the size and power of the camera. The main challenge was the size of the long lens. However, this is just the physics of glass elements and lens as a whole. The XF50-140mmF2.8 is a beautiful lens, but I just found it a bit too big to shoot from the hip on set.

 

 

You may have seen that Fujifilm released the new MK18-55mm T2.9 lens for E-Mount cameras, tell us in your professional opinion, based on what you have seen, how do you see Fujinon lenses changing the game for independent cinematographers?

 

I have always been a big fan of Fujinon Glass. Owning a set of Alura / Arri Studio zooms which unfortunately I no longer have, however, I have been able

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