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22 Aug From Idle To Full Of Vim – Vancouver Visual Excursions

Source: Olafs Photoblog

The ease of digital photography, with its side effect of compulsive photo snapping and the peer pressure to perform, has created a situation where massive amounts of imagery are being pumped into all channels of our visual lives.

This flood of work is especially evident in the genre of street photography. I encounter individuals posting hundreds of images per week shot on the street. Don’t get me wrong. I am sure there are plenty of photographers who can produce an amazing body of work in no time. One thing is for sure – I can’t do it! 

Based on my personal experience and from observations of the best people in the field I know that street photography is much more difficult than it appears. In contrast to common belief, a photo taken on the street is NOT automatically street photography. A complete street photograph is a great finale of a lengthy and deeply immersive process of seeing, connecting, using creativity, thinking and risk-taking. Such a state is not something that can be awoken automatically by pressing the shutter button.     

It is not uncommon for some photographers to come back from their shooting sessions with nothing. I mean zero – no imagery! A dry spell or creative blockage like this is quite normal among photographers and artists.

There is a plenty of advice on how to overcome this state of non-seeing. Some people force themselves into shooting, while others beat themselves up. Daniel Milnor, a great documentary photographer and

From Idle To Full Of Vim – Vancouver Visual Excursions posted on Olafs Photoblog on .

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