15 Jun Creative Composition In Street Photography – Part Three

Source: Ian Macdonald Photography

“The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street.”

-Robert Doisneau

In part two of this series we spoke about my favourite approach to street photography, which is to build a photograph in layers.  Usually this involves finding a compelling background or beautiful light first, then working the scene until I have a composition that I like, and finally adding the right subject to complete the photo.  This is a slower, more methodical approach, but it often yields strong images where all of the visual elements work well together.

There are many times on the street, however, where it is not possible to use this more deliberate approach.  Perhaps an excellent subject is approaching and you only have seconds to take the photo.  Maybe there is a moment happening, a real human moment, and you need to click the shutter before it is gone.  

…sometimes you just have to react.

These spontaneous photographs often lack the cohesion that our carefully crafted images have: the background may be cluttered, the composition may not be as strong, the light might not be ideal… but few things are greater than a real moment or real human emotion.  A deliberately constructed image may be technically perfect, but also sterile and cold.  A photograph that captures real emotion, on the other hand, often has a way of drawing us in despite its imperfections.  I think that it is important to be able

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