21 Jun Creative Composition in Street Photography – Part Four

Source: Ian Macdonald Photography

There are many street photographers that only shoot in a candid fashion.  They wish to remain invisible, unseen, photographing the streets without interacting with their subjects.  Some feel that this is the only way street photography should be shot, preferring the more candid approaches we discussed in Part Two and Part Three of this series.  I don’t subscribe to that philosophy, however.  Yes, I love shooting candidly, but street photography offers so many opportunities to interact with and meet new people that I would find it restricting to limit myself to one method.

Interacting with strangers can be intimidating for some people though.  My students often say that approaching a stranger on the street, and asking to make a portrait of them, is the one thing that they are the most nervous about.  In part four of this series, which is a re-written and expanded version of an article I wrote on street portraits a few years ago, we are going to discuss some methods you can use to ease that discomfort and become confident making street portraits.

first things first – WHY YOU SHOULD Be Confident

When you are considering asking someone to pose for a street portrait what you are really doing is paying them a compliment.  You are saying that there is something unique about that person, something so interesting that you are compelled to capture it.   This is a beautiful thing, so there is no reason to be nervous.  As a matter of fact, nervousness shows and

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